Jiang Z.Pruksavanich W.Mahidol University2025-07-252025-07-252025-01-01Musica Hodie Vol.25 (2025)16763939https://repository.li.mahidol.ac.th/handle/123456789/111378This research examines Daniel Kientzy’s transformative contributions to saxophone music through his innovative integration of the entire saxophone family. Employing qualitative research methods, the study investigates Kientzy’s artistic activities from 1968 to the present through three chronologically arranged sections. The first section traces his early musical career, analyzing the historical process by which he mastered all seven saxophones. The second section, through case studies of Roy’s and de Pablo’s works, examines how Kientzy innovatively integrated these seven saxophones into a single solo work. The final section, through analysis of Brizzi’s and Mabry’s works, examines how Kientzy achieved the ultimate form of “The Saxophone Total” concept through recording, editing, and restructuring the sounds of seven saxophones. The findings reveal a clear evolutionary trajectory in Kientzy’s treatment of the saxophone family members, demonstrating a progression from scattered to seamlessly integrated applications. These innovative approaches have not only transcended the traditional limitations of saxophone music in terms of performance techniques, expressive forms, and compositional thinking but also, in the broader historical context of saxophone, have provided a path to revitalize Adolphe Sax’s grand vision of the saxophone family from the 1840s.Arts and HumanitiesArticleSCOPUS10.5216/mh.v25.815172-s2.0-105010965582