Non-Polarization on the Alto Saxophone: Daniel Kientzy’s Reforms in Music for the Saxophone Family
Issued Date
2025-01-01
Resource Type
ISSN
16763939
Scopus ID
2-s2.0-105010965582
Journal Title
Musica Hodie
Volume
25
Rights Holder(s)
SCOPUS
Bibliographic Citation
Musica Hodie Vol.25 (2025)
Suggested Citation
Jiang Z., Pruksavanich W. Non-Polarization on the Alto Saxophone: Daniel Kientzy’s Reforms in Music for the Saxophone Family. Musica Hodie Vol.25 (2025). doi:10.5216/mh.v25.81517 Retrieved from: https://repository.li.mahidol.ac.th/handle/123456789/111378
Title
Non-Polarization on the Alto Saxophone: Daniel Kientzy’s Reforms in Music for the Saxophone Family
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Author's Affiliation
Corresponding Author(s)
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Abstract
This research examines Daniel Kientzy’s transformative contributions to saxophone music through his innovative integration of the entire saxophone family. Employing qualitative research methods, the study investigates Kientzy’s artistic activities from 1968 to the present through three chronologically arranged sections. The first section traces his early musical career, analyzing the historical process by which he mastered all seven saxophones. The second section, through case studies of Roy’s and de Pablo’s works, examines how Kientzy innovatively integrated these seven saxophones into a single solo work. The final section, through analysis of Brizzi’s and Mabry’s works, examines how Kientzy achieved the ultimate form of “The Saxophone Total” concept through recording, editing, and restructuring the sounds of seven saxophones. The findings reveal a clear evolutionary trajectory in Kientzy’s treatment of the saxophone family members, demonstrating a progression from scattered to seamlessly integrated applications. These innovative approaches have not only transcended the traditional limitations of saxophone music in terms of performance techniques, expressive forms, and compositional thinking but also, in the broader historical context of saxophone, have provided a path to revitalize Adolphe Sax’s grand vision of the saxophone family from the 1840s.