A study of Joe Pass' approaches of melodic improvisation in seven selected tunes
26
Issued Date
2016
Copyright Date
2016
Resource Type
Language
eng
File Type
application/pdf
No. of Pages/File Size
viii, 68 leaves : ill
Access Rights
open access
Rights
ผลงานนี้เป็นลิขสิทธิ์ของมหาวิทยาลัยมหิดล ขอสงวนไว้สำหรับเพื่อการศึกษาเท่านั้น ต้องอ้างอิงแหล่งที่มา ห้ามดัดแปลงเนื้อหา และห้ามนำไปใช้เพื่อการค้า
Rights Holder(s)
Mahidol University
Bibliographic Citation
Graduate Recital Documents (M.A. (Music))--Mahidol University, 2016
Suggested Citation
Wunnud Warawan A study of Joe Pass' approaches of melodic improvisation in seven selected tunes. Graduate Recital Documents (M.A. (Music))--Mahidol University, 2016. Retrieved from: https://repository.li.mahidol.ac.th/handle/123456789/108426
Title
A study of Joe Pass' approaches of melodic improvisation in seven selected tunes
Alternative Title(s)
การศึกษาแนวทางการสร้างทำนองในการบรรเลงคีตปฏิภาณในผลงาน 7 ชื้นของ Joe Pass
Author(s)
Advisor(s)
Abstract
This Graduate Recital Documents studied the jazz guitar performance and improvisation of Joe Pass in five standard tunes and two of his original compositions, which were performed in the researcher's Master Recital. The selected tunes were A Foxy Chick And A Cool Cat, Nobody Else But Me, For Django, The Night Has A Thousand Eyes, Quiet Night Of Quiet Stars, Deep Purple, I Don't Stand A Ghost Of A Chance With You. These tunes reflected the characteristics of Pass' jazz language in traditional style, and this research, thus, focused on Joe Pass' approaches to melodic line and improvisation in difference ensemble combinations ranging from duet to quintet. The knowledge gained was also used to inform the researcher's performance in his graduate recital.;
Description
Music (Mahidol University 2016)
Degree Name
Master of Arts
Degree Level
Master's degree
Degree Department
College of Music
Degree Discipline
Music
Degree Grantor(s)
Mahidol University