Composition for non-harmornic (chordless) modern jazz trio
1
Issued Date
2024
Copyright Date
2019
Resource Type
Language
eng
File Type
application/pdf
No. of Pages/File Size
viii, 52 leaves : ill.
Access Rights
open access
Rights
ผลงานนี้เป็นลิขสิทธิ์ของมหาวิทยาลัยมหิดล ขอสงวนไว้สำหรับเพื่อการศึกษาเท่านั้น ต้องอ้างอิงแหล่งที่มา ห้ามดัดแปลงเนื้อหา และห้ามนำไปใช้เพื่อการค้า
Rights Holder(s)
Mahidol University
Bibliographic Citation
Thematic paper (M.M. (Music))--Mahidol University, 2019
Suggested Citation
Monkanesh Siripapassara Composition for non-harmornic (chordless) modern jazz trio. Thematic paper (M.M. (Music))--Mahidol University, 2019. Retrieved from: https://repository.li.mahidol.ac.th/handle/123456789/92208
Title
Composition for non-harmornic (chordless) modern jazz trio
Author(s)
Advisor(s)
Abstract
Non-Harmonic trio consist of horn, bass and drums which provide the player more flexibility and space for communication while improvising. One of the Non-Harmornic jazz trio was formed by Sonny Rollins and release the album Way Out West in 1957. Compositions played by non-harmonic trio contain a detail such as harmorny, motif development, ostinato. And the texture of the trio with chord instrument could not sound the same. An essemble which doesn't have chord instruments tend to have a hollow timbre/sound color, that influences the musician to feel more free and more space. These introduce some new ideas and not to be forced by a progession that provide by chordal instrument. The way each instrument performs in a non-harmonic trio is different from in a quartet or quintet. In this sutdy four new tunes were composed for Saxophone, double bass and drums. The rhythm section has more involvement in the melody by playing a unison, ostinato, or sometimes playing a melody. At some point, the saxophonist also plays the bass line to accompany the bassist or the drummer during the solo. The melody part of nonharmonic jazz trio compositions can determine the voicing of the chord instruments that can occur in a wide tonality of the chord, whereas the bass line defines the root to identify a chord progression. In the future information presented in this research as initial ideas to develop composing skills, and applying them in other ensemble combinations
Description
Music (Mahidol University 2019)
Degree Name
Master of Music
Degree Level
Master's degree
Degree Department
College of Music
Degree Discipline
Music
Degree Grantor(s)
Mahidol University