Writing from the Western Chamber: First-Generation Immigrants and the Primordial Instinct in Xiaolu Guo’s Novels
Issued Date
2026-01-01
Resource Type
Scopus ID
2-s2.0-105033312205
Journal Title
Interdisciplinary Approaches to British Chinese Cultures Identities Belongings Plurality
Start Page
271
End Page
290
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SCOPUS
Bibliographic Citation
Interdisciplinary Approaches to British Chinese Cultures Identities Belongings Plurality (2026) , 271-290
Suggested Citation
Stacy I. Writing from the Western Chamber: First-Generation Immigrants and the Primordial Instinct in Xiaolu Guo’s Novels. Interdisciplinary Approaches to British Chinese Cultures Identities Belongings Plurality (2026) , 271-290. 290. doi:10.1007/978-3-032-10053-5_12 Retrieved from: https://repository.li.mahidol.ac.th/handle/123456789/115944
Title
Writing from the Western Chamber: First-Generation Immigrants and the Primordial Instinct in Xiaolu Guo’s Novels
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Author's Affiliation
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Abstract
Xiaolu Guo’s fiction represents a sustained exploration of cultural encounters between first-generation Chinese immigrants and Britain. Across her writing, a tension can be seen between her protagonists’ gradual separation from, and deconstruction of, a monolithic ‘Chineseness’ and a tendency to essentialise culture in moments of disorientation and uncertainty. In this latter characteristic, Guo’s work pushes against the general trend in academic work of seeking to de-essentialise culture, itself a response to the continued prevalence of negative stereotypes. This chapter discusses this tension in A Concise Chinese-English Dictionary for Lovers (2007), I Am China (2014), and A Lover’s Discourse (2020) and focuses in particular on written language as a site at which this tension emerges and is played out. Ultimately, it argues that the general trajectory in Guo’s novels is to de-essentialise culture, but this occurs alongside a recognition of the seductiveness of what Clifford Geertz called the “primordial instinct” (1963, 109).
