Memory, remembrance and nostalgia in Ken Burns’ The Vietnam War

dc.contributor.authorCornelius P.
dc.contributor.authorRhein D.
dc.contributor.otherMahidol University
dc.date.accessioned2023-06-20T05:56:58Z
dc.date.available2023-06-20T05:56:58Z
dc.date.issued2022-01-01
dc.description.abstractThis essay examines how society and culture constructs differing responses to memory and remembrance in producing documentary series that look back at the American War in Indochina. Drawing upon studies of memory, nostalgia, and remembrance, the primary focus is on the recent documentary series directed by Ken Burns and Lynn Novick, The Vietnam War. That series can be seen as a remembrance rather than an example of historical memory. The essay provides a close analysis, therefore, of The Vietnam War and compares it, in particular, to an earlier series, Vietnam: The Ten Thousand Day War. Also under discussion are documentaries contemporary with the war, In the Year of the Pig and Hearts and Minds. What ultimately can be seen is a shift from active memory and advocacy in human behavior and perspective within the contemporaneous documentaries to an institutionalized construct focusing on remembrance and nostalgia in The Vietnam War.
dc.identifier.citationCritical Studies in Television (2022)
dc.identifier.doi10.1177/17496020221122178
dc.identifier.eissn17496039
dc.identifier.issn17496020
dc.identifier.scopus2-s2.0-85136524691
dc.identifier.urihttps://repository.li.mahidol.ac.th/handle/20.500.14594/87453
dc.rights.holderSCOPUS
dc.subjectSocial Sciences
dc.titleMemory, remembrance and nostalgia in Ken Burns’ The Vietnam War
dc.typeArticle
mu.datasource.scopushttps://www.scopus.com/inward/record.uri?partnerID=HzOxMe3b&scp=85136524691&origin=inward
oaire.citation.titleCritical Studies in Television
oairecerif.author.affiliationMahidol University

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