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Now showing 1 - 6 of 6
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    Richard Strauss's suite in B-flat major, op. 4 : a conductor's analysis and suggestions for performance
    (Mahidol University. Mahidol University Library and Knowledge Center, 2024) Viskamol Chaiwanichsiri; Fyr, Kyle R.; Ampai Buranaprapuk
    by a number of researchers, the research regarding the specific issue of rehearsing and conducting the piece is quite limited, thus leading the author to realize that it deserves broader attention. The present study served as a resource for conductors... as well as performers who are interested and intend to perform Strauss's Suite in B-flat, Op.4. Therefore, the piece was thoroughly studied in this thematic paper with respects to Strauss's biography, historical background of the piece, analysis
  • ItemOpen Access
    The use of traditional chinese music elements in selected saxophone works of Lei Liang
    (Mahidol University, 2021) Xiao, Zhang, 1987-; Fyr, Kyle; Anak Charanyananda; Ampai Buranaprapuk; Preeyanun Promsukkul
    , and to discuss strategies that saxophonists can use to bring these Chinese elements out in performance. This study was divided into four parts: 1) a score analysis of the selected works, 2) a Western-style formal analysis of the selected works, 3) an analysis... and innovative ways to imitate or allude to these traditional Chinese musical and artistic elements within the boundaries of Western musical notation, genres, and saxophone performance styles and techniques. It is hoped that this research could also lead
  • ItemOpen Access
    An analysis and performing guide of sonata op.61 by Joaquin Turina
    (Mahidol University, 2023) Pongnut Janjumras; Ampai Buranaprapuk; Kyr, Kyle
    of the thematic paper: The results lead to the conclusion that although Sonata Op. 61 was written in the twentieth century, Turina chose to use the classical sonata structure, which was quite different from the modern music of that era. However, Turina still
  • ItemOpen Access
    A study of piano accompanying technique and aspects of Neo-Classicism in Paul Hindemith's sonata for viola and piano, op.11 no.4
    (Mahidol University, 2022) Sara, Choi, 1986 -; Fry, Kyle; Ampai Buranaprapuk.
    This thematic paper is a study and analysis of the Sonata for Viola and Piano, Op. 11, No. 4, which was composed in 1919 by Paul Hindemith. This piece is one of his early works and it contains aspects of the late Romantic form of Brahms and Reger... of being connected to the second movement. Since the piano "accompaniment" part does not merely accompany but leads the whole piece along with the viola part, this study would be helpful for the collaborative pianist to perform a key role in chamber music
  • ItemOpen Access
    The pedagogical concepts of the saxophonist Jean-Marie Londeix as applied to sonata, op.19, by Paul Creston
    (Mahidol University, 2023) Fuchu, Nian, 1989-; Ampai Buranaprapuk; Fyr, Kyle
    saxophone, and For a History of the Saxophone and Saxophonists Books I, II, and III; Gail Beth Levinsky’s DM dissertation “An Analysis and Comparison of Early Saxophone Methods Published Between 1846-1946”; and Stephen Cottrell’s The Saxophone.... The third movement is in rondo form. Different sections present different characteristics. When players practice rhythms in the third movement, they need to think about eighth notes. Implication of the thematic paper: The results lead to the conclusion
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    Jazz piano recital tribute to Bill Evans
    (Mahidol University. Mahidol University Library and Knowledge Center, 2014) Nontawat Chittampai; Schaub Christopher; Cesarczyk, Paul
    This graduate Jazz Piano recital had the objectives of developing performance skills and techniques, knowledge of Bill Evans, including his biography, style and analysis of his songs, as well as knowledge in how to organize a recital. Bill Evans.... The study includes creation of sheet music for the chosen songs, including an edition of the lead sheet of Bill Evans' performances. The recital was played with a piano trio band, and included the following selections: 1. Five, composed by Bill Evans 2