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Item Metadata only A study of Joe Pass' approaches of melodic improvisation in seven selected tunes(Mahidol University. Mahidol University Library and Knowledge Center, 2016) Wunnud Warawan; Rattanai Bampenyou; Karnyupha JittivadhnaThis Graduate Recital Documents studied the jazz guitar performance and improvisation of Joe Pass in five standard tunes and two of his original compositions, which were performed in the researcher's Master Recital. The selected tunes were A Foxy... style, and this research, thus, focused on Joe Pass' approaches to melodic line and improvisation in difference ensemble combinations ranging from duet to quintet. The knowledge gained was also used to inform the researcher's performance in his graduateItem Metadata only John Scofiele's Out Louder : a study of band arrangement and performance practice(Mahidol University. Mahidol University Library and Knowledge Center, 2016) Panai Imjai; Rattanai Bampenyou; Karnyupha Jittivadhna, a funk piece in medium tempo 2) Julia, a slow ballad with a glimpse of English popular music 3) Tequila and Chocolate, a medium tempo song in Latin groove with synthesized guitar effects 4) Tootie Ma is a Big Fine Thing, a Dixieland tune in medium... tempo and 5) What Now, a song featuring shuffle blues rhythm with avant-garde concepts. These five tunes were investigated to achieve a thorough understanding of Scofield's guitar playing in terms of melodic embellishment, solo improvisation, bandItem Metadata only A study of the improvisation technique of Miguel Zenon in five selected songs(Mahidol University. Mahidol University Library and Knowledge Center, 2016) Annawin Kerdteesud; Rattanai Bampenyou; Karnyupha JittivadhnaThis Graduate Recital Document offers a study of distinct improvisation techniques of Miguel Zenon in five selected songs. As for his composition and improvisation techniques, he incorporates Puerto Rican folk music and fuses it with modern jazz... theoretical issues such as Zenon's rhythmic and harmonic approaches were addressed in depth and the knowledge gained was then used to inform practice strategies for the saxophone. The author also included pedagogical exercises for saxophone improvisationItem Metadata only Chris Potter's jazz improvisation based on underground project(Mahidol University. Mahidol University Library and Knowledge Center, 2016) Rattakhet Chauisombun; Rattanai Bampenyou; Karnyupha JittivadhnaThe purpose of this Graduate Recital Documents was to study Chris Potter's saxophone playing style and his improvisation approaches, which serves as a consideration for a Master's saxophone recital. Five tunes are selected from Chris Potter...'s Underground Project, and studied comprehensively in order to present his concepts, development, and perspectives on improvisation. The selected tunes are The Wheel, Rumples, Train, Pop Tune, and Tweet. In additions, the researcher also composes W, a new tuneItem Metadata only An analysis of Jesse van Ruller's improvisation style and pedagogical guitar exercises for his playing approach(Mahidol University. Mahidol University Library and Knowledge Center, 2016) Warat Srikajon; Rattanai Bampenyou; Karnyupha JittivadhnaThe purposes of the graduate recital document were to analyze Jesse Van Ruller improvisation style in three selected standard jazz tunes and to create jazz exercises based on his approach for the researcher's recital preparation. The three standardItem Metadata only An analysis of Freddie Hubbard's improvisation 1960-1969(Mahidol University. Mahidol University Library and Knowledge Center, 2017) Yuttasak Plaipoo; Bowman, Joseph; Anak CharanyanandaThe purpose of the graduate recital document is to analyze Freddie Hubbard's improvisation from selected line up tune between 1960-1969 while he was with Blue note. Six tunes were selected to study Hubbard's improvisation. The selected tune were... Open sesame, Birdlike, Crisis, Dedicate to you, Up jump spring, and Thermo . In this analysis, the researcher has analyzed Hubbard's improvisation from selected tunes in 1960 - 1969 from the self-made transcription, and divided into melodic deviceItem Metadata only The piano latin style and improvisation of Chick Corea(Mahidol University. Mahidol University Library and Knowledge Center, 2013) Sakda Tamseewan; Schaub Christopher; Cesarczyk, Paulpertaining to melody, harmony, chord progressions, chord structures, techniques and improvisation based on chord progressions in standard jazz songs and Chick Corea's music, as he is one of the most influential fusion pianists in jazz music history...The purpose of this thematic paper is to show the prominent musical features of piano playing in the basic traditional Latin style and the correlation with this and Chick Corea's Latin piano playing style. This paper focuses on the playing stylesItem Metadata only Lage Lund's improvisation style : an analysis of single note solo lines in three selected songs(Mahidol University. Mahidol University Library and Knowledge Center, 2017) Nattapong Keawsaichoo; Cesarczyk, Paul; Karnyupha JittivadhnaLage Lund is a modern jazz guitarist with a unique character. This research aimed to analyze Lund's improvisation models and the models and methods with special emphasis placed on a single note Lage Lund employs in his improvisation. Special... emphasis is placed on the single note. The songs chosen for the research were (1) Jazz composed by Steinar Sonk Nickelsen, (2) Celia by Bud Powell, and (3) How deep is the ocean by Irving Berlin. The findings showed that Lage Lund's improvisation couldItem Metadata only Improvisational style analysis of terence blanchard's characteristic from selected tunes in the album Let's Get Lost(Mahidol University. Mahidol University Library and Knowledge Center, 2017) Watchara Atchariyavaranon; Wannapha Yannavut; Somchai TrakarnrungThe purposes of this recital document were to analyze Terence Blanchard improvisation style from selected tunes in the album Let's Get Lost to contribute to the author's recital preparation. Five tunes were selected from the album Let's Get Lost... to study Blanchard's improvisation style and characteristic. The selected tunes were Let's Get Lost, I Can't Give You Anything But Love, I Can't Believe That You're In Love With Me, On the Sunny Side of the Street, You're a Sweetheart. In this analysisItem Metadata only A new composition of vocal and instrumental thai classical music : Phleng Chin Rajchasan Thao(Mahidol University. Mahidol University Library and Knowledge Center, 2006) Buncha Sornchai; Pinij Chaysuvanna
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