MUSIC IN KHUN CHANG KHUN PHAEN LITERATURE BY VAJIRAYANA LIBRARY VERSION
4
Issued Date
2022-02-28
Resource Type
eISSN
2774132X
Scopus ID
2-s2.0-105009221032
Journal Title
Mahidol Music Journal
Volume
5
Issue
2
Start Page
164
End Page
181
Rights Holder(s)
SCOPUS
Bibliographic Citation
Mahidol Music Journal Vol.5 No.2 (2022) , 164-181
Suggested Citation
Klangprasri S. MUSIC IN KHUN CHANG KHUN PHAEN LITERATURE BY VAJIRAYANA LIBRARY VERSION. Mahidol Music Journal Vol.5 No.2 (2022) , 164-181. 181. Retrieved from: https://repository.li.mahidol.ac.th/handle/123456789/111097
Title
MUSIC IN KHUN CHANG KHUN PHAEN LITERATURE BY VAJIRAYANA LIBRARY VERSION
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Author's Affiliation
Corresponding Author(s)
Other Contributor(s)
Abstract
This article presents the music that appears in the Sepha Ballad book of “Khun Chang Khun Phaen” (Vajirayana Library edition/Revised edition). It is intended for Thai musicians to have a better understanding of the essence of the music in Khun Chang Khun Phaen from the perspectives of a Thai musical historian and provides music content for academic reference. The article’s contents consist of: (1) the essence of reciting a Thai musicali verse; (2) the musical songs of Khun Chang Khun Phaen. The study found that, originally, Khun Chang Khun Phaen is a Thai folk tale based on the annals of the Ayutthaya period which is later called “Sepha” by the officials. Krom Phra Surasawadi recited it into a fairy tale story that was sung along with the rhythm of “Krap Khu” (Both hands playing a pair of wooden sticks). This became a pattern of reciting “Sepha ballad,” after which several episodes of Khun Chang Khun Phaen were added. During the reign of King Buddhalertla Naphalai (King Rama II), the story of Khun Chang Khun Phaen was recited with the Pipat ensemble. This marked the Formation of “Pipat Sepha Ballad Band” and the popularization of singing the verse to the melody, as evident in the total of 73 lyrics/songs in the Vajirayana Library edition. Furthermore, in each episode, there are other musical contents which can be used as a reference to expanding the perspective of Thai music to be broad and more profound.